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Miriam Makeba
Zenzile Miriam Makeba, nicknamed Mama Africa, was a South African singer, songwriter, actress, and civil rights activist. Associated with musical genres including Afropop, jazz, and world music, she was an advocate against apartheid and white-minority government in South Africa.
Rick Evans
Rick Evans Singer Born: January 20, 1943, Lincoln, Nebraska, United States Died: February 2018 Songs In the Year 2525
2525 (Exordium & Terminus) · 1969 In The Year 2025 Flower Power Generation: Superhits · 2005 Listen to the People
Zager & Evans · 1970
2525 (Exordium & Terminus) · 1969 In The Year 2025 Flower Power Generation: Superhits · 2005 Listen to the People
Zager & Evans · 1970
Traditional
Secret
"Secret" is a song by American singer Madonna from her sixth studio album, Bedtime Stories (1994). It was released by Maverick Records on September 27, 1994, as the lead single from the album. The singer originally recorded the song as a demo with producer Shep Pettibone. However, Dallas Austin replaced Pettibone's role as the producer and reworked its composition, earning him a writing credit alongside Madonna. It was a departure from Madonna's previous musical style, since up to that point in her career, her music had mostly consisted of big-sounding dance tracks and melodic ballads. "Secret" combined the pop and R&B genres with instrumentation from an acoustic guitar, drums and strings, while lyrically talking about a lover having a secret.
Balakirev
Mily Alexeyevich Balakirev (Russian: Милий Алексеевич Балакирев, Milij Alekseevič Balakirev, 1910) was a Russian pianist, conductor and composer. He is known today primarily for his work promoting musical nationalism in Russia. Working in conjunction with critic Vladimir Stasov, Balakirev brought together the composers now known as the Five, encouraged their efforts and acted as a musical midwife both for them and for Pyotr Ilyich Tchaikovsky.
Balakirev began his career as a pivotal figure in Russian music by extending and developing the fusion began by Mikhail Glinka of traditional Russian and boldly experimental music. In doing so, he established musical patterns that could express overtly nationalistic feeling. He not only demonstrated in his own works how this could be done, but also by taking amateur musicians of prescribed musical education but enormous potential such as Modest Mussorgsky, Alexander Borodin and Nikolai Rimsky-Korsakov, he imparted his own musical beliefs and passed them on to underlie the thinking of his pupils.
Balakirev found himself in an unusual position in his later yers of attending premieres of works he had begun long ago but had only recently completed. For instance, he began writing his First Symphony in 1864 but finished it in 1897. Often, the musical ideas normally associated with Rimsky-Korsakov or Borodin actually originated in Balakirev's compositions. However, his slowness in bringing his works before the public robbed him of credit for his inventiveness. Also, pieces which if completed in the 1860s and 70s would have enjoyed success if they had been performed at that time actually made a much smaller impact when they were introduced toward the end of the composer's life because they had been overtaken by the accomplishments of younger composers. The exception to this is his oriental fantasy Islamey, which is still popular among pianists.
Balakirev began his career as a pivotal figure in Russian music by extending and developing the fusion began by Mikhail Glinka of traditional Russian and boldly experimental music. In doing so, he established musical patterns that could express overtly nationalistic feeling. He not only demonstrated in his own works how this could be done, but also by taking amateur musicians of prescribed musical education but enormous potential such as Modest Mussorgsky, Alexander Borodin and Nikolai Rimsky-Korsakov, he imparted his own musical beliefs and passed them on to underlie the thinking of his pupils.
Balakirev found himself in an unusual position in his later yers of attending premieres of works he had begun long ago but had only recently completed. For instance, he began writing his First Symphony in 1864 but finished it in 1897. Often, the musical ideas normally associated with Rimsky-Korsakov or Borodin actually originated in Balakirev's compositions. However, his slowness in bringing his works before the public robbed him of credit for his inventiveness. Also, pieces which if completed in the 1860s and 70s would have enjoyed success if they had been performed at that time actually made a much smaller impact when they were introduced toward the end of the composer's life because they had been overtaken by the accomplishments of younger composers. The exception to this is his oriental fantasy Islamey, which is still popular among pianists.
Chick Corea
Armando Anthony "Chick" Corea (born June 12, 1941) is a multiple Grammy Award-winning American jazz pianist, keyboardist, drummer, and composer.
He is known for his work during the 1970s in the genre of jazz fusion. He participated in the birth of the electric fusion movement as a member of Miles Davis' band in the 1960s, and in the 1970s formed Return to Forever.
He continued to pursue other collaborations and explore various musical styles throughout the 1980s and 1990s. He is also known for promoting Scientology.
He is known for his work during the 1970s in the genre of jazz fusion. He participated in the birth of the electric fusion movement as a member of Miles Davis' band in the 1960s, and in the 1970s formed Return to Forever.
He continued to pursue other collaborations and explore various musical styles throughout the 1980s and 1990s. He is also known for promoting Scientology.
Martin Neivera
Martin Ramon Razon Nievera is a Filipino singer and television host. In his career spanning more than three decades, Nievera has garnered eighteen platinum, five double platinum, three triple platinum, and one quadruple platinum albums. He is often referred to in the Philippines as the "Concert King"
Mozart
Wolfgang Amadeus Mozart, full name Johann Chrysostom Wolfgang Amadeus Mozart (27 January 1756 â 5 December 1791) was a prolific and influential composer of the Classical era. His over 600 compositions include works widely acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. Mozart is among the most enduringly popular of classical composers, and many of his works are part of the standard concert repertoire.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Debussy
Achille-Claude Debussy (August 22, 1862 – March 25, 1918) was a French composer. Along with Maurice Ravel, he is considered one of the most prominent figures working within the field of Impressionist music, though he himself intensely disliked the term when applied to his compositions. Debussy was not only among the most important of all French composers but also was a central figure in all European music at the turn of the twentieth century.
Debussy's music virtually defines the transition from late-Romantic music to twentieth century modernist music. In French literary circles, the style of this period was known as Symbolism, a movement that directly inspired Debussy both as a composer and as an active cultural participant.
Debussy's music virtually defines the transition from late-Romantic music to twentieth century modernist music. In French literary circles, the style of this period was known as Symbolism, a movement that directly inspired Debussy both as a composer and as an active cultural participant.
Michel Delpech
Jean-Michel Delpech (French pronunciation: ; 26 January 1946 – 2 January 2016), known as Michel Delpech, was a French singer-songwriter and actorIn 1963, Delpech released his debut hit "Anatole" on Disques Vogue. In 1964, Delpech met Roland Vincent, and a long singing songwriting partnership ensued with Delpech being signed to Festival French record label.In 1965, he took part in the music comedy Copains Clopant that had a six-month run and made him very popular, particularly through his interpretation of "Chez Laurette". He was the opening act for Jacques Brel's goodbye concert at the Paris Olympia. In 1967, he collaborated with Johnny Stark. In 1968, he won the "Grand Prix du Disque" award for "Il y a des jours où on ferait mieux de rester au lit".
Just So (Musical)